From Beyond<\/em>, which may not be saying much, but this movie didn’t have nearly as much eye trauma as Fulci’s work.<\/p>\n\n\n\nWhat Suspiria<\/em> did have was atmosphere. For a horror movie, this was filled with a lot of subdued colors, not something I would normally associate with horror aside from red for blood, and what blood is seen here is far too bright a color to look real, but that’s true of most horror movies from this period. No, instead Argento fills his screen with a lot of blues, purples, and yellows. It’s done in a way that doesn’t look entirely natural, rendering the movie a look that suggests that something is happening involving a force that shouldn’t even exist in nature. The witch, when she finally appears on screen, is only partially visible, but this isn’t the sort of movie that is going to answer questions. Otherwise I might wonder about the room full of piano wire. It is a movie that mostly makes sense, but in the end, I was more interested in experiencing it than understanding it. That may have been the point in the end.<\/p>\n\n\n\nNow, if only Tubi did a better job inserting the commercials into the movie…<\/p>\n\n\n\n
Grade: A-<\/strong><\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":"
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